爱在日落之前第二部

视频简介

这是一部取材于真人真事的现代警匪片，影片塑造了一个真实可信、可敬可亲的当代人民警察的光辉形象。 彭宝林——1987年退伍，后任惠阳县工商银行经济警察，1991年主动要求调入惠阳县老街派出所任民警。彭宝林在工作中时时处处严于律己，爱护群众。1993年5月14日，在执行任务中，彭宝林突遇藏匿的通缉犯香港黑社会头目区耀煌。悍匪胁迫人质，持枪拒捕，彭宝林不顾自己身负重伤，与顽匪展开激战，并将悍匪击毙。而彭宝林最终因抢救无效，壮烈殉职，他以自己的青春热血为当代人民警察树立了光辉的榜样。中华人民共和国公安部追授彭宝林全国一级英雄模范称号。 该片获得1994年中国电影华表奖优秀故事片奖；1995年第15届金鸡奖最佳故事片奖。。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。