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Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness. (http://www.input2002.com/en/film/24418.html)。男友因车祸意外去世，汤姆（泽维尔·多兰 Xavier Dolan 饰）驱车前往男友家人所在的偏远农场参加葬礼，才得知原来男友母亲并不知道儿子的性取向。男友哥哥弗朗西斯（皮埃尔 - 伊夫·卡迪纳尔 Pierre-Yves Cardinal 饰）恐同而暴力，他威胁汤姆不得透露与弟弟的真实关系，并野蛮的将汤姆囚禁在农场。始料未及的是汤姆渐渐喜欢上农场生活，而弗朗西斯和母亲在与汤姆的接触中也陷入一场心理游戏… 《汤姆的农场旅行》讲述一位年轻同志参加男友葬礼，发现自己与男友的关系是秘密，然后更进一步发现恋人的母亲与哥哥也有自己的秘密；由于他的意外出席，引发哥哥不惜使用暴力也要隐藏的动机。这是一部心理惊悚片，全片以层层剥丝的方式来挖掘当事人隐晦的相互关系，风格冷僻，过程令人不寒而栗。电影由年轻加拿大导演多兰自编、自导、自演、自剪，并自做服装设计，再现了他的多兰美学与“不可能之爱”。《汤姆的农场旅行》入围第70届威尼斯电影节主竞赛单元，获得国际影评人费比西奖(FIPRESCI)。。