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大夏顶级工程师杨建文为航天事业奋斗多年，对家庭缺少陪伴，导致儿子杨浩楠一直以为父亲是一名普通工人。杨建文为弥补对儿子亏欠，帮他铺路却不想在外人看来都是装腔作势，给儿子招来了更多嘲笑。最终杨建文公开自己总工程师的身份父子二人重归于好。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。“ 纪录片《女人五十》是中国首部反映更年期女性生存状态的纪录片。导演刘帼轶试图通过记录两位更年期女性的日常生活，展示了女性处于这个特殊时期所面临的家庭和社会的压力。影片不仅尝试探讨女性如何从生理和心理上健康、安然地度过更年期，更试图引发更年期群体之外的人们关于家庭和社会的思考.。”。