赛尔号11

赛尔号11

2024
18 年前

视频简介

星期三·亚当斯(珍娜·奥尔特加饰)回来了。她徜徉在永封学院的哥特式大厅里,新的敌人和危机正等着她。在本季中,星期三必须应对家人、朋友和旧敌,由此经历了风趣、黑暗、古怪、混乱的新一年。凭借招牌睿智和冷面魅力护体的星期三也被卷入了一个毛骨悚然的超自然新谜团中。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。

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