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视频简介

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。妮昂（皮查雅·瓦塔那蒙迪里 Pechaya Wattanamontri 饰）和宋（皮查雅·瓦塔那蒙迪里 Pechaya Wattanamontri 饰）本是情同手足的姐妹，却因为父母婚姻的破裂的不得不分离。母亲带走了妮昂，宋则跟着父亲一起生活，在父亲不幸去世之后，宋辗转来到了姑姑和姑父家，幸运的是，这一对夫妻都是善良之人，他们除了照顾宋的生活起居外，还教会了宋如何成为一个正直和勇敢的人。 妮昂就没这么幸运了，离开了父亲后，母亲选择再婚，奢靡的生活让妮昂渐渐变得贪婪自私和虚荣起来。随着时间的推移，当两姐妹都渐渐长大，命运的作弄之下她们再度重逢。。